Casting Call: Civil War Reenactors Needed for Movie–Rebel Private

Nov 13, 2008 @ 08:47 am by r. pittman

I was delighted to learn from Dixiebroadcasting that a new Civil War movie is in the works.  I explored the site and am impressed by the commitment of its planners to historical accuracy.  One unique aspect: There will be a black Confederate soldier.  I’ve told my students for years that the South had black soldiers (admittedly, not many) before the North did. The director is searching for Civil War reenactors for its project.  I’ve done some work as a movie extra: (The Dead Will Tell, and Miracle Run, both filmed in New Orleans) and will likely apply for this movie. Here is the call for reenactors, followed by the project overview. I lifted these from the movie’s site.

The producers of Rebel Private are seeking reenactors to be selected from a nationwide search to participate in the film as members of Company F of the Texas Brigade and or Terry’s Texas Rangers ( mounted ). Professional actors will be cast for roles with general dialog, however, reenactors will be asked to flesh out the immediate soldiers around such key actors as the story unfolds. Through battlefield attrition these positions will come and go as the “war” progresses and in Fletcher’s transition story wise, from The Texas Brigade to Terry’s Texas Rangers.

The director will make every possible effort toward historical accuracy down to the most minute detail. Great attention will be paid to the period look of soldier’s faces and to uniform changes throughout the story timeline, early to late war. We will utilize entire reenactor units overall in the film participating on the field, however, for the immediate members of Company F and Terry’s Texas Rangers, we will ask for young reenactor soldiers between the ages of 16 and 30, who are thin, with great interest paid to beards and hair. Reenactors for these positions will likely be involved for several weeks. A unique particularly period essence to an overall impression is our focus in this, our…”call to arms”.

For those with interest, please submit recent photographs in uniform and or mounted, along with contact information.

Project Overview

Heartland Pictures, Inc. will produce an independent feature film, Rebel Private, in collaboration with Rebel Private, LLC. The Film’s screenplay is based on the memoirs of Private William Fletcher, C.S.A., of Hood’s Texas Brigade, Army of Northern Virginia, one of few published works of Confederate enlisted men chronicling personal combat experiences. Margaret Mitchell, a friend of the family, referenced the book extensively when writing Gone With The Wind. Miss Vallie Fletcher Taylor, great granddaughter of William Fletcher, released his memoirs in1996, Rebel Private, Front and Rear, which otherwise would have been lost to time as he had self published in 1908, yet all but two copies were destroyed in a tragic house fire. The under thirteen million dollar budget will offer creative freedom, yet studio quality and scale, with unique distribution potential, through the independent film management process.

The “War for Southern Independence” was an unprecedented national tragedy and ironically, an illegal and unnecessary war. Formulated in a gristmill of humanity, where at Gettysburg as many soldiers were casualties in three days as in Vietnam over ten years, this great drama remains fertile ground for stories of uncommon valor and sacrifice. As a result, the loss of potential for what might have been a great Southern nation, adhering to pure Jeffersonian principles established in the American Revolution, a constitutionally based confederation of sovereign states, where little known, the immoral institution of slavery was by 1861 destined to naturally fade, remains unfulfilled.

Into this maelstrom, countless young men such as William Fletcher were thrust, lives forever changed, generations forever diminished, the flower of Southern youth lost to what they perceived was the second American Revolution. It is our fervent desire to honestly illustrate the human side of the Southern people, the often maligned Southern soldier, upon whom this war was unjustly waged and from a Southern point of view. Such has not been done in film all though historically accurate, it is not politically correct. Confederate General Patrick Cleburne put it succinctly…”Gentlemen, if we should not prevail, the victor will write our history”.

“The North practiced sanctioned buying, or substitution. This, the practice of replacing ones self for payment, a socially and legally accepted manner of evading service. You could not do that in the South, Southern pride would not allow for it”. Shelby Foote, noted historian.

In the Orwellian world of the 21st Century, even the word Confederate creates ire through the propaganda of historical revisionism. We would hope through power of the film medium to in some way restore pride in Southern history, which also is American history. Hollywood suffers a bias in that respect, perpetuating negative myth. Only an independent film through planned unique distribution will prevail in such truth. Southerners should not be ashamed of the noble sacrifice of their ancestors and through this film will be allowed the light of honest inspection. Rebel Private is the vehicle, true history the lesson. It is time for an end to distortion.

Music of the time offers an emotional lament, a window on the time often with Celtic roots and as such it touches the soul in a visceral way. Contemporary country music Nashville ties will bring a wealth of resource applied through a purist “Mountain Music” application. We creatively do not seek a symphonic big Hollywood sound, but rather, a historically researched, period instrumentation portrayal of the 1860s.

Heartland Pictures, Inc. is in the fund raising process for Rebel Private, which will be filmed in Texas, Louisiana and Virginia. The writer-director, Chuck Untersee, is a Texan and twenty year veteran of the Hollywood film industry. Through burning zeal to illustrate aesthetic purity of the time by a visually driven romantic story and intimate combat intensity of the D-Day invasion in, Saving Private Ryan, to the poignant relationships of, Cold Mountain, he will create a visceral and riveting film. Rebel Private will be a deeply Southern, highly aesthetic, historically accurate, non “commercial” portrayal of the period. It is our intent to make the audience laugh, cry and most importantly…to think.

If you are interested in learning more about this project, go to the movie’s homepage here:

NEW CALENDAR EVENTS FOR PITTMAN AUTHOR EVENTS:

My calendar is on my main website, but I’ve recently added these events:

The Highland Games in Jackson, Louisiana. This Saturday, November 15, I will be storytelling and playing some music in the children’s area and signing some books. Here is the event’s website:

Brock, TX ISD Thursday, Jan. 15  School Programs!

Mickey Newbury Chords and Lyrics: “Just Dropped In . . .”

Nov 12, 2008 @ 02:13 pm by r. pittman

Newbury’s talent continues to surprise me. A song I had always liked, “Just Dropped In” was written by him. I had only heard the First Edition’s version, but after listening to Newbury, I think Newbury’s is just as good.  In my research of the song, I discovered that this was one of Kenny Roger’s early, if not earliest, hits when he sang if for the First Edition.  I also learned that Jerry Lee Lewis and Willie Nelson (as well as other artists) recorded the song.  Some say the song is about the LSD experience. Another source says the song was Jimi Hendrix’s favorite song. In my digging, I concluded that there was much more to this song than I had ever realized. Another song to add to my Americana show.  Here are the lyrics:
JUST DROPPED IN

I woke up this mornin’ with the sundown shinin’ in
I found my mind in a brown paper bag, but then…
I tripped on a cloud and fell-a eight miles high
I tore my mind on a jagged sky
I just dropped in to see what condition my condition was in

(Yeah, yeah, oh-yeah, what condition my condition was in)

I pushed my soul in a deep dark hole and then I followed it in
I watched myself crawlin’ out as I was a-crawlin’ in
I got up so tight I couldn’t unwind
I saw so much I broke my mind
I just dropped in to see what condition my condition was in

(Yeah, yeah, oh-yeah, what condition my condition was in)

Someone painted “April Fool” in big black letters on a “Dead End” sign
I had my foot on the gas as I left the road and blew out my mind
Eight miles outta Memphis and I got no spare
Eight miles going left downtown somewhere
I just dropped in to see what condition my condition was in

I said I just dropped in to see what condition my condition was in
Yeah yeah oh-yeah

Contest News:

I won honorable mention in the New Millennium Writing Contest (summer) for my story, “Little Rose and the Confederate Cipher.” When I receive information on where you can read the story, I’ll let you know.

Mickey Newbury Chords and Lyrics: “Genevieve”

Nov 11, 2008 @ 07:57 am by r. pittman

Author Chat Webinar:

This afternoon,  from 3:30-4:15 p.m., I’ll be featured on Texas Region XI Media and Library Services ’s “Chat with an Author” interview.  It will be recorded, so I’ll post that link as soon as I have it.

More Mickey Newbury Lyrics:

I’ve gotten good response from posting the lyrics of the talented songwriter, Mickey Newbury, so I decided to post another song of his that I want to add to my song list. It’s called Genevieve. Newbury writes some emotionally powerful lyrics.

Genevieve by Mickey Newbury

Genevieve, Genevieve
What does it all mean to you?
Genevieve, Genevieve
My heart is breaking in two,
Goodbye so long,
I will never be this hurt again,
Genevieve, Genevieve
See how the mornings begin.

Well wouldn’t it be nice,
If I could say what the hell it’s been fun.
But Genevieve, Genevieve,
Your leavin’ me leaves me undone.
So my old friend the highway,
I will cry on your shoulder again,
Oh Genevieve, Genevieve
Here’s where the story begins.

Laughing like a fool
‘Till I was no longer able to breathe
A broken down shell of a man
And his woman and me
Stopped at a café
They would not let us come in
Oh Genevieve, Genevieve
See how the madness begins.

Genevieve, Genevieve,
I just had to see you somehow,
Oh the years have been kind,
You were never as lovely as now,
Closing my eyes,
I can almost be with you again,
But Genevieve, Genevieve,
Here’s where the story will end.

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